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Computer-Based Digital Audio Workstations & Plug-InsBy David Korn April 28, 2000 FRANKFURT: PCI audio cards were everywhere at Frankfurt. This year, even models that list below $500 feature 24-bit/96kHz recording. This will undoubtedly invigorate the hard disk market - and the sample rate conversion business when users remember that CDs remain at 44.1kHz. Most manufacturers now offer Mac OS compatibility, most often through ASIO drivers - a big change from two or three years ago. On the other hand, the recent strategy shift at Be toward Internet appliances seems to have frozen most audio software development for BeOS, most notably at Steinberg and Emagic. However, Bias was showing an early version of Peak running on this platform. The main attraction at both Steinberg's and Emagic's booths was online collaboration through Rocket technology. Tracks (audio or MIDI) were built in real time, with input from musicians around the world - or the corner. Of course, Cubase users will work only with Cubase users, and Logic users with their siblings. Digidesign is expected to join around the end of the year, or so I've heard. More and more plug-ins are being ported to RTAS, the "native" format used by Pro Tools LE, the last of which are the Orange Vocoder from Prosoniq and the C4 from Waves - also for MAS, VST, and DirectX. Funny . . . wasn't that supposed to be a Pro Tools MIXplus exclusive when it was introduced? Software Audio Editors
Software Audio Sequencers
Software Drivers
Software Hard Disk Recording & Editing
Software Multimedia
Software Signal Processors
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